In my first article, Save Thyme and Avoid Common Mistakes, I discussed the importance of attending writers’ conferences and a common newbie mistake — pitching a book that was not written. This next article will focus on the beginning — the beginning of your book, your writing career, and essential tools of the trade.
If you don’t take into consideration the two years my story brewed in my mind, this first writers conference was my beginning. If you can get into a clinic at a writers’ conference, I highly recommend it. It’s intense, and you get one-on-one assistance with an experienced writer, agent, editor… . This input is invaluable.
Because your application for a clinic typically includes the first 15 pages, you want to make sure those 15 pages are the absolute best they can be. Write, rewrite, and write again. Have others read it and see if you have a writer friend who can also give you input (more on writers’ groups and critique groups later). When you think it’s there, set it aside for as long as possible (I prefer a week) so that you see it with fresh eyes, and read it out loud. It’s amazing what your ears catch that your eyes miss.
Although my manuscript was not written, I did write the first 15 pages to apply to a beginners fiction clinic that was team taught by two well-known authors. The beginning is always critical to capture your audience, whether it’s an agent, publisher or your reader. I realized during this particular clinic that I was chosen not because of my story (the first 15 pages did not reveal much), but because of the mistakes I made in the beginning. Nothing I had grabbed my reader — not the title nor the first sentence, first paragraph, or first page. Nada.
This first clinic got my act together. At the start of this clinic, we went around the room reading our first sentences. The rule — NEVER begin a book with the weather. Most of us did. Think about how you choose a book, whether it’s your next library choice or book to buy.
Most people:
- Check the title. Does it sound interesting?
- Read the back cover copy. Still interested?
- Open the book to the first page and read the first sentence. Still interested?
- Read the first paragraph, and maybe even the first page. Getting it?
Writers’ Tools
This first conference also gave me a glimpse into what type of tools of the trade would make my life easier. Instead of sharing what I learned here, I recommend a more comprehensive source that’s tried and true — The Author Toolbox by Candee Fick.
The Title
I needed a catchy and unique title. First, I brainstormed a list of 10 titles. Next, I did the research necessary to assure none of those titles were already taken in previously published works. I created survey sheets and waited outside each service at my church one weekend and asked people to choose and rank their top 3 titles. An overwhelming majority chose Hidden Bloodlines as their top choice.
I threw out my first chapter and started over. My first sentence went from the weather to: “Victoria prosecuted the wrong man.”
What captures your interest?
I agree that the first line is critical but had to smile at the idea that the classic/ cliche “It was a dark and stormy night” wouldn’t intrigue readers. As for titles, my advice is not to become too wedded to any one title, since many publishers reserve the right to change titles based on what their marketing research tells them will sell best.
You are so right Amanda! I was just fortunate that everyone I pitched Hidden Bloodlines to loved the title.